About Colleen
by Remington Murphy
One of the new recruits in my crusade against the Department was Colleen Hughes, a teaching assistant for the Remedial Reading Pogrom, a sort of School of Liberal Arts/Education joint venture (actually, a scam might more accurately describe what it was) meant to sustain the languishing Education faculty, whom the university, thanks to tenure, could not legally fire. Colleen had always been friendly in the past, sometimes stopping by to chat over impotable Department coffee and vending-machine M&Ms, but now her friendliness had about it an air of significance.
Casual chat alone, however, sucker for that I was, could not have sold me on this woman’s uncommonly intense feminine charm. I demanded authenticity, singularity—virtues which do not bloom under rocks, in caves, or for that matter one summer’s day per year on the steppes of Siberia, but which flourish with crab grass abandon as easily on a well-groomed patch of lawn as on a ragweed-crowded, proletarian vacant lot, able to break up slabs of concrete sidewalk with little more than an ingrained will to be noticed. Singularity, in short, addresses purpose; purpose invites action; action comes, bringing with it upshot, and together they tie one on.
Colleen, one of those able to transmute creed into deed, closed the deal for my admiration (in fact, bought it out), and in one afternoon at that! She was with a squad of assistants who were pausing to watch the Army/Marines Day demonstration at our uniperversity’s bell-tower before heading off-campus to lunch. What especially riveted her eye was the “hand grenade toss,” as advertised in gothic black by a gigantic billboard-sized banner. An officer in fatigues was showing the neighborhood kids who had gathered how to pull the pin. The grenade was a dummy, of course, but still there is something perverse about activating an explosive device and then unnaturally blocking the detonation mechanism with a defiant finger, which the officer, betraying a Mephistophelian grin, graciously demonstrated.
Colleen was piqued by this, and I might add, rightfully so. Before anyone could stop her, she had kneed Mephisto in the groin, grabbed the grenade, and lobbed it easily onto the two-story roof of the Eisenhower Memorial Computer Learning Complex.
By the time campus security had arrived to carry her away raving, she had upended a table, strewing promotional literature; smashed half a dozen “It’s a Great Place to Start” mugs, two Mr. Coffees, one jaw, one MX-coned jellybean jar, jellybeans rocketing; ripped the gigantic banner from its bell-tower moorings; and wardanced sadistically, boots clopping, around the groaning prostrate officer.
Blue/Green Medusa
Change the World
.005
by Walt Gebhart
The old Black Ford
Weighs a ton-and-a-half.
G78-by15s on the front.
L78-by-15s on the rear.
351 cubic inch
Windsor V-8.
Carries a payload of
About a ton.
When she’s stuck behind
A row of Joe-go-slow’s on a
Country road just hive her
A clear oncoming lane.
She’ll hit passing gear
And kick all their asses.
She has two little ignition points
No bigger than shirt buttons.
They’re .005 inches apart.
All that tonnage
All that ass-kicking
Is worthless unless those
Two points work right.
Funny how human a car can be.
Little things keep them going, too.
penn chant
Forget What is Real
Forget what is real.
Abolish sensibility.
Go beyond your heart.
Transcend your body
and let your soul
float into fantasy.
Bathe in the river Styx
and live
in my world
of never-ending dreams.
– kmf
The Speech of Thoth
Centerspread ball graphic
Slide
Her mud-hemmed gown
abreeze, she slips
weeping at our
pond’s edge; a
backyard swing
rattles its chains
and turns in dreams rust-eyed
a boy balanced there.
– Tassoni